From Story to Stage
The Dramatic Adaption of Prose Fiction in the Period of Shakespeare and his Contemporaries
Max Bluestone
Frontmatter — Contents — Introduction — Part One. Adaptation And The Means Of Imitation — 1. Constructs And Percepts — 2. Gestures, Costumes, And Properties — 3. The Figure Of The Actor — 4. Language — Part Two. Adaptation And The Imitation Of Change — 5. The Imitation Of Change: Space — 6. The Imitation Of Change: Time — Part Three. Adaptation And Moral Substance — 7. Moral Emphasis And Intention — Afterword And Acknowledgments — Appendix — List Of Works Cited — Index
