Franz Lehár (1870-1948) found remarkably expressive and brilliantly colorful sounds for the drama and romantic moods of this unique topic. The style was decisively influenced by the familiar cadence of Hungarian gypsy music in the composer‘s native country. This is not only evidenced by the csárdás rhythms or the inclusion of the cimbalom in the arrangement, but above all by the many pronouncedly melancholy hues of the melody and harmony produced by the use of minor keys. After „The Merry Widow“and „The Count of Luxembourg“, „Gypsy Love“ is Franz Lehár‘s third most successful operetta. After its triumphant Vienna premiere in 1910, it was performed all over the world from Broadway to the Far East, for example at the Empire Theater in Darjeeling, at the foot of the Himalayas! This 1974 film features major artists with extensive operatic experience such as Janet Perry, Ion Buzea and – last but not least – Adolf Dallapozza.
Aktualisiert: 2023-05-18
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Franz Lehár’s operetta “Paganini” (Vienna, 1925) marked the start of a new period in the composer’s work that was strongly influenced by the tenor Richard Tauber. Lehár now began to write works that were highly demanding in vocal terms and stylistically closely modelled on the opera repertoire. The enormous success achieved by these works prove how right he was in not merely trying to make people laugh, but also to provide them with emotionally moving situations. One of the most successful operettas from this period was undoubtedly “Paganini”, which includes the immortal melody “Gern hab‘ ich die Frau’n geküsst”.
Now for the first time, the legendary 1973 film version of the operetta offers an opportunity to experience once again stars like Teresa Stratas, Peter Kraus, Dagmar Koller and, last but not least, Johannes Heesters.
Aktualisiert: 2019-09-12
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Franz Lehár (1870-1948) found remarkably expressive and brilliantly colorful sounds for the drama and romantic moods of this unique topic. The style was decisively influenced by the familiar cadence of Hungarian gypsy music in the composer‘s native country. This is not only evidenced by the csárdás rhythms or the inclusion of the cimbalom in the arrangement, but above all by the many pronouncedly melancholy hues of the melody and harmony produced by the use of minor keys. After „The Merry Widow“and „The Count of Luxembourg“, „Gypsy Love“ is Franz Lehár‘s third most successful operetta. After its triumphant Vienna premiere in 1910, it was performed all over the world from Broadway to the Far East, for example at the Empire Theater in Darjeeling, at the foot of the Himalayas! This 1974 film features major artists with extensive operatic experience such as Janet Perry, Ion Buzea and – last but not least – Adolf Dallapozza.
Aktualisiert: 2022-03-24
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With its charmingly romantic theme, effective stage action and abundance of spirited and delicate moods, this Parisian-flavoured libretto gave Franz Lehár every opportunity to display his talent. After the sensational success of the “Merry Widow” (1905), Lehár completed this operetta in only three weeks in 1909 and at first referred to it himself as “a slovenly piece of work”. Once again, however, impulsiveness and spontaneity proved to be the ingredients of an outright success. “The Count of Luxembourg” is - with regard to its inventiveness, originality and instrumental colouring - on a par with Lehár‘s other international successes. This film version offers a wealth of artistic entertainment, with a superb cast that includes Eberhard Wächter, Lilian Sukis, Erich Kunz, Jane Tilden, Peter Fröhlich and Helga Papouschek.
Aktualisiert: 2019-09-12
> findR *
Franz Lehár’s operetta “Paganini” (Vienna, 1925) marked the start of a new period in the composer’s work that was strongly influenced by the tenor Richard Tauber. Lehár now began to write works that were highly demanding in vocal terms and stylistically closely modelled on the opera repertoire. The enormous success achieved by these works prove how right he was in not merely trying to make people laugh, but also to provide them with emotionally moving situations. One of the most successful operettas from this period was undoubtedly “Paganini”, which includes the immortal melody “Gern hab‘ ich die Frau’n geküsst”.
Now for the first time, the legendary 1973 film version of the operetta offers an opportunity to experience once again stars like Teresa Stratas, Peter Kraus, Dagmar Koller and, last but not least, Johannes Heesters.
Aktualisiert: 2022-02-03
> findR *
With its charmingly romantic theme, effective stage action and abundance of spirited and delicate moods, this Parisian-flavoured libretto gave Franz Lehár every opportunity to display his talent. After the sensational success of the “Merry Widow” (1905), Lehár completed this operetta in only three weeks in 1909 and at first referred to it himself as “a slovenly piece of work”. Once again, however, impulsiveness and spontaneity proved to be the ingredients of an outright success. “The Count of Luxembourg” is - with regard to its inventiveness, originality and instrumental colouring - on a par with Lehár‘s other international successes. This film version offers a wealth of artistic entertainment, with a superb cast that includes Eberhard Wächter, Lilian Sukis, Erich Kunz, Jane Tilden, Peter Fröhlich and Helga Papouschek.
Aktualisiert: 2021-11-22
> findR *
Franz Lehár (1870-1948) found remarkably expressive and brilliantly colorful sounds for the drama and romantic moods of this unique topic. The style was decisively influenced by the familiar cadence of Hungarian gypsy music in the composer‘s native country. This is not only evidenced by the csárdás rhythms or the inclusion of the cimbalom in the arrangement, but above all by the many pronouncedly melancholy hues of the melody and harmony produced by the use of minor keys. After „The Merry Widow“and „The Count of Luxembourg“, „Gypsy Love“ is Franz Lehár‘s third most successful operetta. After its triumphant Vienna premiere in 1910, it was performed all over the world from Broadway to the Far East, for example at the Empire Theater in Darjeeling, at the foot of the Himalayas! This 1974 film features major artists with extensive operatic experience such as Janet Perry, Ion Buzea and – last but not least – Adolf Dallapozza.
Aktualisiert: 2023-03-15
> findR *
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